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Seville
Prince door
- Measurements (cm): 85x70
- Technique: Watercolour on paper
Profile I Seville
- Measurements (cm): 120x50
- Technique: Mixed technique
Giralda bell tower
- Measurements (cm): 89x71
- Technique: Watercolour on paper
Seville Fair
- Measurements (cm): 120x100
- Technique: Mixed technique
View of Seville
- Measurements (cm): 73x60
- Technique: Oil on wood
Panoramic view of Pte de las Delicias
- Measurements (cm): 300x120
- Technique: Mixed technique
Seville and the "Maestranza"
- Measurements (cm): 147x101
- Technique: Oil on canvas
Golden Tower
- Measurements (cm): 100x100
- Technique: Oil on canvas
View of Seville
- Measurements (cm): 82x52
- Technique: Oil on wood
Postigo del Aceite
- Measurements (cm): 142x102
- Technique: Oil on canvas
View of Seville
- Measurements (cm): 111x85
- Technique: Oil on canvas
Profile III Seville
- Measurements (cm): 120x40
- Technique: Mixed technique
Triana Bridge
- Measurements (cm): 68x60
- Technique: Oil on canvas
View of Seville
- Measurements (cm): 111x85
- Technique: Oil on canvas
Profile IV Seville
- Measurements (cm): 120x50
- Technique: Mixed technique
Cathedral of Seville sterography
- Measurements (cm): 120x100
- Technique: Mixed technique
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With the advent of the romantic artistic currents in Spain the interest for landscape painting arised.
Painters of the nineteenth century Sevillian school showed interest in this genre and sought inspiration in British and French painters such as David Roberts and Turner, who were the European landscape masters of the time.
Manuel Barrón y Carrillo (1814-1884), was the most outstanding Andalusian romantic landscape painter, with a concept very close to that of Pérez Villamil (View of Seville from Punta del Verde), and Andrés Cortés, whose landscapes are characterized by an eclecticism drinking from British roots (La Feria de Sevilla) and Flemish roots, as well as the school of Murillo.
The shool of Alcalá de Guadaíra should also be mentioned, as the group of painters who gathered around the figure of Manuel Ussel Guimbarda and Emilio Sanchez Perrier, who from 1890 began to paint in the banks of the river Guadaira.
This school of landscapers, which connects with the Seville school, arose while other landscaping schools were being created in Europe and America in those same years. All of them followed the example of the Barbizon school in the Fontainebleau forest near Paris, which was the origin of the plenairist painting (outdoors painting) and Impressionism.